Dharamshala International Film Festival 2017

Our days in McLeod Ganj, Upper Dharamshala were gentle. They passed in a peaceful, timeless way, as we reconnected with our friends and with the town. Early awakening for me during the first week as my body adjusted to the twelve time zone difference, connecting with our daughter in Vancouver by text and checking news as I sipped my hot water in bed.

Then preparations for our day, and the ten minute walk to our favourite restaurant, Kunga/Nicks Italian Kitchen, for breakfast. During the first two weeks we were able to sit outside, soaking in the panoramic view of the valley, ending in the Indian town of Lower Dharamshala below. Homes and guesthouses have been built on the steep sides of the hillsides down three sides of the valley, with Little Amdo, named after one of Tibet’s provinces, to the left, and Loseling Guesthouse, where we stayed in 2012, run by the South Indian Monastery of that name, to our right.

Our friends K & T lived in Little Amdo when we first knew them, before the paved road went in. Visiting them involved a downhill climb on a rough path, muddy after rain or during the road construction period. They did this multiple times each day, until their son moved them into their lovely self-contained apartment near the temple, with all the comforts for them in their twilight years.

Our first weekend in town we attended The Dharamshala International Film Festival, or DIFF, who’s sister festival originated in Switzerland, where there is a very active community of Tibetans and Tibetan supporters. In its sixth year, DIFF showcases the best of recent Indian and world cinema, including fiction, documentaries and shorts.

It was our second visit to DIFF, another opportunity to screen unusual films often only seen at film festivals. In 2012 we had the privilege of attending both DIFF and the more grassroots Tibet Film Festival, my personal preference, both held in McLeod Ganj, at TIPA, (Tibetan Institute for the Performing Arts) and in the tourist centre auditorium. Two films from the 2012 Tibet Festival still live in my memory; Girl from China, still not released, it appears, and Summer Pasture, released in 2010.

This year the main DIFF venues, two auditoriums, were at Tibetan Children’s Village school, billed as a ten-minute drive through the forest from McLeod Ganj. A shuttle makes the trip every half hour during the day. Alternatively, you can take a taxi, as we sometimes did, or an auto rickshaw, a bumpy ride up the mountain. A few films were shown in Lower Dharamshala in the state of the art Gold Movie Theatre, buried in the bowels of a modern building.

With so many films on offer, and not wanting to watch back to back films all day and evening, choices were difficult. Looking back, I can see that the films we screened had a common theme, explorations of the lives of women, men and children, often in smaller towns.

Our favourite was the film that opened the festival, Mukti Bhawan: Hotel Salvation; it had won thirteen awards worldwide, including the Venice Film Festival, Dubai’s festival, the South Korean Film Festival and the San Francisco Film Festival. It was the story of an Indian man who went to Varanasi, the Holy City, to die, accompanied by his son, staying in a guesthouse designed for that purpose. The acting and the photography were excellent, and we felt like we were revisiting Varanasi in person.

You might think that this would be a depressing film, but it’s not at all. It was very captivating and I would certainly like to see it again.

Turup was an in depth exploration of women’s and men’s lives in a small village in a Bhopal neighbourhood, through the lives of three very different women and a young man. An excellent movie.

White Sun, a film set in Nepal, tells both personal stories and is also a political narrative about Nepal’s rebirth after twenty years of unrest. It narates the story of a Maoist man who returns to his remote village to bury his father, a much more complicated task than it seems on the surface.

Out of This World was a documentary, a very well done update of a 1949 film shot on location in Tibet, months before the Chinese invaded the country, by Lowell Thomas, a prominent American journalist and his son. The invitation was extended to Thomas in the hopes that he could convince the US government to curtail the Chinese invasion. The photography was very well done, the journey in and out of Tibet gruelling, the exit from Tibet almost killing the elder Thomas. The original footage of the visit was fascinating, showing meetings with high lamas including His Holiness.

If you have a chance to see Angamaly Diaries think twice!  It is unusual for us to walk out of any kind of film, but we did walk away from this chaotic, cowboy and Indian type film, (read, boys on motor cycles, racing around, getting into all kinds of trouble). There wasn’t really one plot, just a series of disparate ‘adventures’, something an untalented fifteen year old film maker might have done! To say it did not live up to the level of this film festival is a gross understatement.

DIFF was a great start to our month in Dharamshala.


Please Note: Since I completed my research, the DIFF site appears to have been taken down, but perhaps the links will work again at a later date. Sorry!

Next: Golden Temple Roadtrip

Ellen

Copyright Ellen Besso 2018

Ellen Besso is a former Life Coach & Counsellor & a Reiki Practitioner. She is the author of An Indian Sojourn: One woman’s spiritual experience of travel & volunteering, and Surviving Eldercare: Where their needs end & yours begin, both available through Amazon.

 

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